Lewis john carlino biography of nancy
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Scene 2 Seen Podcast: French Actor Salif Cissé Discusses Netflix’s ‘Lupin’, The Complexities Of Screenwriting And The Gentrification Of Paris
Hello and Welcome to the Scene 2 Seen Podcast I am your host Valerie Complex, Associate Editor at Deadline Hollywood. In this episode, I chat with French actor and screenwriter Salif Cissé.
Cissébegan his acting and screenwriting career while still in high school, where he discovered his passion for the stage. He attended local conservatories before being admitted to the prestigious Conservatoire Nationale Supérieure d’Art Dramatique de Paris (National Academy of Dramatic Arts) in
During that time, he staged his first project, High Sign (Lewis John Carlino) at the Cartes Blanches Festival. From there he went on to be cast in by Guillaume Bracin his film, All Hands on Deck. Salifstarred in his own original mini-series, Couronnes
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Unsung Auteurs: Nancy Dowd
By Erin Free
With the writers’ strike hopefully at close-to-resolution point in the US, we’ll still be showing solidarity by focusing on screenwriters in the Unsung Auteurs column. It might be seen as a little off-course to proclaim an Oscar-winning screenwriter as unsung, but in the case of Nancy Dowd, we’ll gladly utmaning anyone on our thesis here. Though she should rightfully stand next to pioneering kvinnlig contemporaries like Joan Tewkesbury and Polly Platt, Nancy Dowd’s name is rarely flung around these days in rulle commentary circles…which may very well komma down to the screenwriter’s own apparently innate sense of modesty and humility, and also due to the fact that some of Dowd’s most high-profile work was done without credit at the time of the various films’ release, or was written under various pseudonyms. Nancy Dowd worked on the screenplays for some of the most fascinating films of the s and s, and she fryst vatten wholly due a little celebration here
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Unsung Auteurs: Nancy Kelly
By Erin Free
The disturbing mini-trend of clearly talented female directors seeing their careers pulled up short after making just one film has been widely covered in the media, and also in the Unsung Auteurs column itself. Another curious and deeply disappointing figure to add to this way-too-long list is Nancy Kelly, a documentarian and producer who received strong reviews for her debut feature Thousand Pieces Of Gold, yet never helmed another fictional film. To make Kelly’s case even more fascinating, her sole feature film is also a western, a genre only rarely undertaken by female filmmakers.
Appropriately enough, Nancy Kelly’s journey toward filmmaking (she had done various work in the industry at this stage) took a game-changing detour onto the range, when the young woman from a working class family in Massachusetts packed up her belongings and headed out west to take a job as a ranch hand. Initially treated with suspicion by the cowboys that s