Dora maar man ray biography
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Dora Maar
French artist and partner of Pablo Picasso (1907–1997)
Henriette Theodora Markovitch (22 November 1907 – 16 July 1997), known as Dora Maar, was a French photographer, painter, and poet.[2]
Maar was both a pioneering Surrealist artist and an antifascist activist.[3]
Her revolutionary work ranged from commercial assignments in fashion and advertising to documenting social and economic struggles during the Depression, and explored evocative Surrealist themes.[4] Maar was one of the few photographers to be included in important exhibitions of surrealist work in the 1930s in Paris, New York and London, alongside Man Ray and Salvador Dalí.[4][5] Her daring techniques in the darkroom explore psychology, dreams and inner states.[5]
Maar's political activism and photographic style is widely acknowledged to have influenced Pablo Picasso's work during the period of their romantic relationship. In particular, Maar'
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Summary of Dora Maar
As a talented photographer, Maar made work that developed quickly from acute poetic street realism to otherworldly Surrealist manipulations. She was particularly apt at making work out of her own hidden and dizzying emotional interior - as well as the desire to retreat from it. Mournfully, Maar abandoned photography due to Pablo Picasso's insistence that every photographer was merely a painter waiting to be released. Caught in love with this colossal and powerful personality between the years of 1935-45, Maar became the muse for others as well as a practicing artist herself. Upon her separation from Picasso, Maar experienced a nervous breakdown and recovered with the help of the famous psychiatrist, Jaques Lacan. In later life, she moved from Paris to rural Provence and painted mainly abstract landscapes and melancholy still lifes. She became a recluse and a devout Catholic. Despite her achievements, following their destructive relationship, Maar lived partiall
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Dora Maar: Picasso's lover comes out from his shadow
Arts correspondent, BBC News
Dora Maar lived to be almost 90 yet, despite being a gifted artist in her own right, her reputation has rested mainly on her romantic relationship with Pablo Picasso. Now a new exhibition is aiming to bring Maar out of Picasso's shadow.
He was a hugely celebrated painter but before they met in 1935 she was already known in France for her photographic work. The Tate Modern exhibition sheds light on Maar's life and on her sometimes neglected work.
In 1935 Maar (born Henriette Théodora Markovitch) was unit stills photographer on a film being shot at the Billancourt Studios on the outskirts of Paris. She was introduced to Picasso, 26 years her senior and already a world-famous artist.
Maar became his lover and - some have thought - the most influential of his muses. For the next eight years they were part of one another's lives - although Picas