Charles f goldie biography books
•
Biography of Charles Frederick Goldie
Overview
Charles Goldie is one of this country’s most controversial artists, and one of the best known. He has been both denounced and praised by various critics, and squabbles about the artist and the value of his works continue today. But while he may be criticised by the art establishment, his paintings fetch high prices and the public loves his work.
Goldie was born in 1870 in Auckland, the son of a timber merchant and former Mayor of Auckland. In 1892, he went to Paris to study art at the Académie Julian. There he received a conservative academic training which included life drawing and the copying of Old Masters from the Louvre. He won several prizes for excellence. At the time Impressionism was well-established in Paris, but Goldie was not influenced by such modern developments.
On his return to Auckland, Goldie set up the French Academy of Art. Goldie’s style remained largely the same throughout his career.
At firs
•
C. F. Goldie
New Zealand artist (1870–1947)
For the New Zealand art forger known as Carl F. Goldie, see Karl Sim.
Charles Frederick Goldie OBE | |
|---|---|
Goldie, c. 1905 | |
| Born | (1870-10-20)20 October 1870 Auckland, New Zealand |
| Died | 11 July 1947(1947-07-11) (aged 76) Auckland, New Zealand |
| Known for | Paintings of Māori dignitaries |
Charles Frederick GoldieOBE (20 October 1870 – 11 July 1947) was a New Zealand artist, best known for his portrayal of Māori dignitaries.
Early life
[edit]Goldie was born in Auckland on 20 October 1870. He was named after his maternal grandfather, Charles Frederick Partington, who built the landmark Auckland windmill. His father, David Goldie, was a prominent timber merchant and politician, and a strict Primitive Methodist who resigned as Mayor of Auckland rather than rostad smörgås the visiting Duke and Duchess of Cornwall and York with alcohol. His mother, Maria Partington, was an amateur artist and encour
•
Goldie (Re-print)
Charles F. Goldie (1870–1947) is probably New Zealand’s best-known artist. His popular fame has been fed by a stream of newspaper reports documenting record-shattering prices, thefts, vandalisms and forgeries. Descendants of Goldie’s models revere the depictions of their ancestors, while others denounce the paintings as documents of colonial racism.
The mystique surrounding Goldie and his art is unparalleled in New Zealand art. Roger Blackley explores Goldie’s career: his early still-life paintings; the years as a student in Paris; his triumphant reign as Auckland’s leading painter in the early years of the twentieth century; the fall from critical favour and descent into ill health; and finally the distinctive late period of the 1930s.
Blackley also charts the posthumous fortunes enjoyed by Goldie’s paintings; their roles as prime commodities in the Pakeha art market, as subjects of controversial stories in the news media, as